Resultado de "Harry Sidebottom" em Todas as categorias

Sie sind in der Unterzahl, doch sie verlieren nie den Mut... Rom, im Jahr 255. Von allen Seiten stoßen die Feinde Roms vor, um sich Teile des angeschlagenen Weltreiches einzuverleiben. Auch Sassanidenherrscher Shapur steht mit seinem mächtigen Heer vor Arete, dem östlichsten Bollwerk des Imperiums. Um die Festung zu verteidigen, sendet Kaiser Valerian seinen Tribun Ballista aus. Ballista ist Germane, steht aber seit Langem in Diensten Roms. Unerschrocken und loyal folgt er seinem Auftrag, obgleich er weiß, wie aussichtslos die Lage ist, denn er verfügt nur über wenige Krieger.

The third book in Sidebottom's epic series set in third-century Rome - a dramatic era of murder, coup, counter-rebellions and civil war.

A tense and brilliantly dramatic short story from the best-selling author of The Throne of the Caesars Series. AD 238. Emperor Maximinus' reign is under threat as Gordian the Younger and Elder are proclaimed emperor. Julius Burdo, official of the empire, must accompany the knife-boy Castricius north to assassinate Maximinus. The order is from the new Augusti; death is a certain fate to both men whether they succeed or fail.

From the best-selling author of Warrior of Rome comes the second book in an epic new series set in third century Rome - a dramatic era of murder, coup, counter-rebellions, and civil war. In a world of battle and betrayal, men will fight - and kill - to sit on the Throne of the Caesars. Rome, AD 238. Emperor Maximinus' reign hangs in the balance. At the helm of an empire that is bleeding manpower and money to sustain his wars in the north, rebellions flare in the far reaches of its territories.

A tense and brilliantly dramatic short story from the best-selling author of The Throne of the Caesars Series. This thrilling short story opens at the end of Blood & Steel and is the perfect trailer for Harry Sidebottom's new novel, Fire & Sword. AD 238. When Gordian the Younger is brutally cut down at the battle of Carthage, his ally, Phillyrio, and a centurion from his army must make for the hills of Northern Africa to escape Maximinus' army.

AD 265, Gaul—The Roman Empire is on the brink. Emperor Gallienus has amassed a huge army across the Alps to seize back the mountains from the usurper Posthumus. War has come. Ballista and his cavalry are on the frontline, battling in the most brutal of conditions. But if he is to survive the campaign and finally retire to his beloved Sicily, it's not just the battlefield he needs to navigate. As he and Praetorian Prefect Volusianus lay siege to Posthumus' armies, it becomes clear the greatest threat to Ballista's life might just come from within his ranks.

On 8 June AD218, a fourteen-year-old Syrian boy, egged on by his grandmother, led an army to battle in a Roman civil war. Against all expectations, he was victorious. Varius Avitus Bassianus, known to the modern world as Heliogabalus, was proclaimed emperor. The next four years were to be the strangest in the history of the empire. Heliogabalus humiliated the prestigious Senators and threw extravagant dinner parties for lower-class friends. He ousted Jupiter from his summit among the gods and replaced him with Elagabal.

AD265 - In the shadow of Mount Etna, slaves are rising up. As the rebel leader declares Sicily the new land of the free, men and women are slaughtered and cities across the island are sacked and burned. When a ship is wrecked off the island's west coast, all but two survivors are cut down in the surf by the rebel slaves. Ballista, an experienced Roman soldier, has always found a way to survive against the odds - but his son Marcus is still just a boy.

When Valens, a junior officer in the Roman Army, joins a crack squad of soldiers on a dangerous mission, little does he know what's in store for him. Tasked with rescuing the young Prince Sasan, who has been imprisoned in the impenetrable Castle of Silence, the troops set out across Mesopotamia and into the mountains south of the Caspian Sea. Deep in hostile territory, inexperienced Valens finds himself in charge. And as one by one his soldiers die or disappear, he begins to suspect that there is a traitor in their midst and that the rescue is fast becoming a suicide mission.

A lone figure stands silhouetted atop the Mausoleum of Hadrian. Behind him, the sun is setting over the centre of the known world. Far below, the river is in full flood. The City of Rome lies spread out before him on the far bank. Footsteps pound up the stairs. He's been set up. An enemy is closing in; he is cornered. He jumps.

Greek and Roman warfare was unlike that of any other culture before or since. The key difference is often held to be that the Greeks and Romans practiced a "Western Way of War", in which the aim is an open, decisive battle - won by courage instilled, in part, by discipline. Here, Harry Sidebottom looks at how this Western Way of War was constructed and maintained by the Greeks and Romans and why this concept is so prevalent today.