Resultado narrado por "Christel Mutombo" em Todas as categorias

This stirring and intimate collection brings together 30 unique narratives to paint a vivid portrait of what it means to be a queer Nigerian woman. Covering an array of experiences—the joy and excitement of first love, the agony of lost love and betrayal, the sometimes-fraught relationship between sexuality and spirituality, addiction and suicide, childhood games and laughter—She Called Me Woman sheds light on how Nigerian queer women, despite their differences, attempt to build a life together in a climate of fear.

Nelah seems to have it all: fame, wealth, and a long-awaited daughter growing in a government lab. But, trapped in a loveless marriage to a policeman who uses a microchip to monitor her every move, Nelah’s perfect life is precarious. After a drug-fueled evening culminates in an eerie car accident, Nelah commits a desperate crime and buries the body, daring to hope that she can keep one last secret.

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend.

Organizing the Brussels World’s Fair, the biggest international event since the end of the Second World War, subcommissioner Robert Dumont cedes to pressure from the royal palace: there will be a “Congolese village” in one of the seven pavilions devoted to the settlements. Among the eleven members of this “human zoo” assembled to put on a show at the foot of the Atomium is the young Tshala, daughter of the intractable king of the Bakuba. From her native Kasai to Brussels via Léopoldville, the princess’s journey unfolds—until her forced exhibition at Expo 58, where we lose track of her.

In 1927, South Africa passes the Immorality Act, prohibiting sexual intercourse between “Europeans” (white people) and “natives” (Black people). Those who break the draconian new law face imprisonment—for men of up to five years; for women, four years. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state.