Resultado narrado por "Elnathan John" em Todas as categorias

There are dragons in Lagos and witches who wear their sons’ skins, while a cabal of otherworldly beings are collecting intelligent life forms in the depths of the universe. This collection features some of Falowo’s most notable previously published stories alongside new tales of magic and terror.

Ekong Udousoro is a Nigerian editor undertaking a reckoning with the brutal recent history of his homeland by curating a collection of stories about the Biafran War. He is thrilled when a publishing fellowship gives him the opportunity to continue his work in Manhattan while learning the ins and outs of publishing. But while his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to the industry’s colder, ruthlessly commercial underbelly, boorish and hostile neighbors, and a bedrock of White cultural superiority and racist assumptions about Africa.

Be(com)ing Nigerian: A Guide is a satirical collection that takes a searing look at how different forms of power are abused, negotiated, and performed both in the private and public realm. Through attempting to satirise those who abuse privilege or power, it recognises that power can be found everywhere: in politics, business, religious institutions, and in homes. From the exploration of religious hypocrisy in How to Worship the Nigerian God, to A Letter to My Future Kidnapper, the collection is a jab at Nigerian society and what it means to be a Nigerian.

Formation: The Making of Nigeria from Jihad to Amalgamation tracks the unlikely series of events and characters that turned a collection of disparate nations into a British colony in 1914. But the story of Nigeria’s formation begins much earlier, in 1804, when the jihadists launched their attack on countries along the Niger river. What unfolds is a story of conquests and slavery, betrayals and bravery, rivers and riots, victors and vanquished, all of which are central to understanding modern Black struggles.

In the seedy ABC boxing club in Nairobi, four musicians — The Diva, The Corporal, The Taliban Man, and Miriam — gather for a competition to see who can perform the best Tizita. Listening from the audience is Kenyan tabloid journalist John Thando Manfredi, whose own life makes him vulnerable to the Tizita.