Resultado narrado por "Tess Sharpe" em Todas as categorias

Murder either bonds you or breaks you. Rural PI Mel Tillman knows this well. She’s seen her fair share of bloody cases and botched cover-ups. But killing with someone? That is a different kind of mess all together, and Mel’s got real experience with it. No one’s heard from Toby Dunne since Chloe Harper’s sweet sixteen party—because the birthday girl and sixteen-year-old Mel buried him so deep in the backwoods, no one’s ever finding him. Mel loses little sleep over it—Toby had been terrorizing them.

In this shocking psychological thriller and follow-up to The Girls I've Been, four teens face off against a wicked man in a remote forest in a desperate fight for their survival.

In the fall of 1942, the United States is still reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Nora O'Malley's been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother's protégé. But when her mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape. For five years Nora's been playing at normal. But she needs to dust off the skills she ditched because she has three problems.

Harley McKenna is the only child of North County's biggest criminal. Duke McKenna's run more guns, cooked more meth, and killed more men than anyone around. Harley's been working for him since she was sixteen, dreading the day he'd deem her ready to rule the rural drug empire he's built. Her time's run out. The Springfields, her family's biggest rivals, are moving in. And they're coming for Duke's only weak spot: his daughter.

Meet Nora. Also known as Rebecca, Samantha, Hayley, Katie and Ashley - the girls she's been. Nora didn't choose a life of deception - she was born into it. As the daughter of a con artist who targeted criminal men, Nora always had to play a part. But when her mother fell for one of the men instead of conning him, Nora pulled the ultimate con herself: escape.

After years of bickering, Penny and Tate have called a truce: they’ll play nice. They have to. Their mothers (life-long best friends) need them to be perfect, drama-free daughters when Penny’s mother becomes a living liver donor to Tate’s mom. Forced to live together as the Moms recover, the girls’ truce is essential in keeping everything—their jobs, the house, the finances, the Moms’ healing—running smoothly. They’ve got to let this thing between them go. There’s one little hitch: Penny and Tate keep almost kissing.