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Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “weak and feeble woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft.

There are few labels not attached to Aphra Behn - playwright, poet, a spy, a scarlet woman condemned for loose morals. And yet, for all her notoriety Aphra Behn is an enigma. Born in around 1640, her early life isn't well recorded and facts about her are continually disputed. Her birth name may have been Eaffrey Johnson and she could have been the daughter of a Canterbury barber, although neither fact is certain. And, just after the Restoration she probably briefly lived in the English colony of Surinam in South America, where she was perhaps embroiled in political espionage.

In 1450 Christine de Pisan took up the pen to defend her maligned sex. Her book, The City of Ladies, was built around preserving women's reputations from the slights and misunderstandings of history. In it the author is visited by three spirits - Justice, Rectitude and Reason - who guide her in sifting through countless lives, in search of worthy citizens. Nearly 600 years later, the historian and novelist Lisa Hilton picks up the book and promptly falls asleep, only to be visited by three great women from history: Cleopatra, Lucrezia Borgia and Catherine the Great.

Castroux, France, 1939. In a bare farmhouse above the village, Oriane lives in desperate poverty. When the Germans invade, her simple world crumbles. Passions erupt, moral boundaries break down , and rebellion is soon in the air. Castroux, France, 2000. In an idyllic gîte overlooking the river, Claudia sunbathes on the terrace. She’s pregnant, trapped, and terrified of the future. She confides only in a reclusive neighbour, Oriane, and discovers that she too carried a shameful secret.

Italy, 1492. Five-year-old Mura is a strange and bewitching child. Daughter to a Nordic mother and Spanish father, she has been tutored in both Arabic learning and the ancient myth cycles of the north. But her widower father has been arrested by the Inquisition, and Mura is sold to a Genoese slaver. In the port of Savona, Mura's androgynous looks and unusual abilities fetch a high price.

By day Judith Rashleigh is a put-upon assistant at a London auction house. By night she's a hostess in one of the capital's unsavoury bars. Desperate to make something of herself, Judith knows she has to play the game. She's learned to dress, speak and act in the interests of men. She's learned to be a good girl. But after uncovering a dark secret at the heart of the art world, Judith is fired and her dreams of a better life are torn apart. So she turns to a long-neglected friend. A friend that kept her chin up and back straight through every past slight. A friend that a good girl like her shouldn't have: rage.

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