Títulos em Dramaturgia e Peças

Prospero, eigentlich Herzog von Mailand, hat durch eine Intrige seine Macht verloren und fristet mit seiner Tochter Miranda auf einer unwirtlichen Insel sein Leben, das er der Magie gewidmet hat. Als ein Schiff mit den Übeltätern Alonso, Antonio und Sebastian des Weges kommt, sieht Prospero die Stunde der Rache gekommen. Er befiehlt Ariel, seinem dienstbaren Geist, einen Sturm heraufzubeschwören, um das Schiff und seine Passagiere tüchtig durchzuschütteln. Die vermeintlich Schiffbrüchigen retten sich auf Prosperos Insel - und das Spiel seiner Vergeltung beginnt.

Als der idealistische Volkswirt Alfred Loth seinen ehemaligen Studienfreund Hoffmann im beschaulichen schlesischen Witzdorf besucht, wird ihm schnell klar, dass dieser seine sozialistischen Vorstellungen aus der Jugend über Bord geworfen hat und nun ein völlig neuer Mensch ist, nachdem er in eine reiche ortsansässige Bauernfamilie eingeheiratet hat.

Morgan and Devon Gregson Bennett are an interracial creative power couple living happily enough in Brooklyn until a freak accident leaves a little girl orphaned in Los Angeles. Setting aside reservations about the price motherhood will exact on their marriage and careers, Morgan and Devon agree to adopt Vabeh, a bi-racial ethnic-hair-products heiress. Vabeh touches down in New York, wearing last season’s fur and on a mission to quickly distinguish herself from the other bold-faced names at her new school, the tony School for Spoiled Kids.

Rómeó er í öngum sínum yfir stúlku sem vill ekkert með hann hafa, svo vinur hans tekur hann með sér í veislu í von um að aðrar fallegar stúlkur muni leiða hugann frá henni. Það tekst svo sannarlega. Þegar Rómeó læsir augunum við unga Júlíu er ást við fyrstu sýn. Til allrar óhamingju uppgötva Rómeó og Júlía brátt að þau tilheyra fjölskyldum sem eiga í ættardeilum og verða þau að halda rómantík sinni leyndri. Frægasta ástarsaga sem skrifuð hefur verið, Rómeó og Júlía, er vísun í bæði hreina sanna ást og harmleik.

A group of politically correct teachers are tasked with creating a Thanksgiving play for their students. They hire a Native American actor to lend authenticity to the proceedings. When it turns out she’s ethnically ambiguous the teachers are left to navigate the resulting pitfalls in this rich satire. Includes a conversation with playwright Larissa FastHorse.

Auf den ersten Blick scheint Mariannes Welt geordnet und ihre Zukunft vorhersehbar. Sie lebt Anfang der 30er Jahre im gemütlichen Wien, wo sie den Fleischer Oskar heiraten und ein gewöhnliches bürgerliches Leben führen soll. Doch Marianne hat andere Pläne. Kurzerhand beschließt sie, ihren Verlobten zu verlassen und läuft von Zuhause fort. Schon bald verliebt sie sich in den notorischen Spieler Alfred, der als Frauenheld bekannt und seinerseits selbst mit einer älteren Dame romantisch involviert ist.

In a time when earthquakes, tsunamis, and other strange occurrences are wreaking havoc across Sicily, word spreads of a young boy from Messina named Cola - a fisherman’s son who spends so much of his time diving beneath the waves that many call “Colapesce” or “Cola the Fish". Rumors of Cola’s incredible diving abilities eventually reach Sicily’s Princess. Defying the wishes of her father, the arrogant King, the Princess appeals to Cola to investigate what lies beneath the sea’s surface and find the cause of the destruction.

Der Klassiker um Schuld, Rache und Sühne als modernes Hörspiel. Der Vater opfert die Tochter, die Mutter erschlägt darauf ihren Mann und wird deswegen von ihrem Sohn erschlagen - am Ende dieser Geschichte um Rache und Gier steht die Erkenntnis, dass es so nicht weitergehen kann. Die Idee der Rechtsstaatlichkeit hält Einzug. In einer faszinierenden Mischung aus schlagfertigen Dialogen, gereimten Wechselgesängen und modernen Wendungen holt Raoul Schrott diesen Klassiker ins Hier und Jetzt.

A beautiful adaptation highlighting the humor of the mechanicals, the magic of the fairies, and the vitality of the lovers, without losing the essence of the language. Perfect for students, teachers, and theaters alike. Making Shakespeare more accessible (including for those with additional needs). A supplement for understanding the Shakespeare, a fast track to understanding the plot and language.

I, Marilyn Monroe is a one woman theater play, written by David Serero, about Marilyn Monroe's life. Under the form of an autobiography, Marilyn Monroe (1926-1962) tells her story from birth to death, to the audience of 2020.

Although he had a long career as an actor and director, Paul Henreid is certainly best remembered for two films he made in the early 1940s: Now, Voyager with Bette Davis, and Casablanca with Humphrey Bogart and Ingrid Bergman. Michael B. Druxman’s Paul Henreid is set in 1968 and finds the actor in Nice, France, about to costar in a film with Katharine Hepburn. He has just learned that his friend, the movie’s original director, has quit the production and must decide whether he will do the same.

Bassanio is a man in love, but he does not have much money to his name, and thus is unable to woo the rich heiress Portia. His friend Antonio suggests that they borrow money from Shylock, a Jewish moneylender who has had many dealings with Antonio in the past. Shylock, being of Antonio’s ability to repay, agrees to grant the loan with a difficult condition. If the loan is not repaid in full by the agreed date, Shylock will take a pound of Antonio’s flesh.

William Shakespeare, long hailed as the history's greatest dramatic writer, has been lauded for his mastery of poetic expression, his insight into the human condition and his deep exploration into the psyche and motivations of his characters. These skills are perhaps best encapsulated in the monologues he gives his various protagonists, villains, and bit players.

Betty Pacutho Udongo was an elected member of the Ugandan Parliament when she founded the Nebbi Standard Academy, a secondary school in Northern Uganda. The school was founded to serve the needs of students in the region, but quickly became much more when orphans from a nearby refugee camp started to arrive after receiving word that they would not be turned away.

Set in Vienna at the turn of the 19th century, the romantic entanglements of four young individuals, Fritz, Theodor, Christine, and Mizi, offer a sharp social commentary and insight on the influence of personal and social morals on relationships.

"Miss Sara Sampson" begründete ein neues Genre der Dramatik: das bürgerliche Trauerspiel. Erstmals wurde die Tragödie nicht in den höheren Sphären des Adels verhandelt, sondern "normale Menschen" stellten unter Beweis, dass das Thema der unglücklichen Liebe universell ist. Lessing stellt in seinem Klassiker das tragische Verhältnis zwischen Sara, ihrem Verlobten Mellefont und dessen früherer Geliebten Marwood dar - mit allen Zutaten: Liebe, Vergebung, Betrug, Mord!

Venus and Adonis is a rich and rewarding work. This version includes substantial in introductory and concluding commentary from Shakespeare expert Charlie Creed, in addition to the full poem. Written in glorious language, the story balances comic invention with a tragic and moving love story. Appearing in quarto form in 1593, Venus and Adonis was Shakespeare’s first published work - for though several of the author’s plays had been performed by this date, none had been printed.

I, Napoleon is a one man theater play, written by David Serero, about Napoleon Bonaparte's life. Under the form of an autobiography, one of the greatest historical figures of all time, Napoleon Bonaparte (1769-1821) tells his story from his birth to his death, to the audience of 2020. Starring French actor David Serero as Napoleon Bonaparte. Performed in English language.

Abe Vigoda worked as an actor for all of his adult life. He did theatre...He did television...But it wasn’t until he was 50-years-old that he got a role where the public even noticed him. He played Tessio in The Godfather. Michael B. Druxman’s humorous one-person play, Abe Vigoda, finds the actor with a major problem. The press has, erroneously, announced that he is dead, and his agent’s phone has stopped ringing. Now, Abe has to convince the entertainment industry that he is still with us.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.