Títulos em Epistolar

First published in 1948, The Ides of March is a brilliant epistolary novel of the Rome of Julius Caesar. Through imaginary letters and documents, Wilder brings to life a dramatic period of world history and one of its magnetic personalities. In this novel, the Caesar of history becomes Caesar the human being as he appeared to his family, his legions, his Rome, and his empire in the months just before his death.

On the day that Betty meets Guy, her life is changed forever. She never thought she'd see him again but a few months later realises she has something of his that needs returning. So, she writes him a letter. It's the perfect solution for Betty—it means she doesn't need to tell Guy about what really happened that day and the secret she's been hiding. For Guy, Betty's letter arrives at his repair shop at the perfect time. His whole world has come crashing down around him, and for the first time in a long time, he starts to feel hopeful.

Luis Alfredo J. A. vive en un edificio verde, cubierto enteramente por enredadera. De alguna forma, es un edificio invisible o, al menos, demasiado sutil. Sin duda: se trata de un edificio elusivo al servicio postal. Luis Alfredo J. A. escribe cartas, una todos los días. Es un epistolero profesional. Luis Alfredo J. A. es también un esquizofrénico paranoide.

Antes de morir, Hélène le hizo prometer a su marido, Julien, que le escribiría treinta y tres cartas, una por cada año de su vida. Para su asombro, Julien se da cuenta de que esta correspondencia, que deja en un compartimento secreto de su tumba en el cementerio de Montmartre, se ha convertido en una suerte de consuelo. Le habla de la vida que ahora ha de vivir sin ella; de su amor, ya no recíproco; de su hijo Arthur, que no quiere un padre que se siente desgraciado. Hasta que un día descubre que las cartas han desaparecido y en su lugar empieza a encontrar pequeñas respuestas.

En un Londres devastado por las bombas y que empieza a recuperarse de las terribles heridas de la Segunda Guerra Mundial, Juliet Ashton, una joven escritora en busca de inspiración novelesca, recibe la carta de un desconocido llamado Dawsey Adams. El hombre, que vive en la isla de Guernsey, un pequeño enclave en el canal de la Mancha, está leyendo un libro de Charles Lamb que había pertenecido con anterioridad a Juliet. ¿Cómo ha llegado ese ejemplar hasta Guernsey? ¿Por qué Dawsey decide ponerse en contacto con Juliet?

El Lazarillo de Tormes inauguró el género de la novela picaresca. Relata las desventuras que un joven de origen humilde sufre al servicio de sus amos, entre los que se cuentan un ciego, un clérigo y un hidalgo pobre. Los avatares por los que pasa Lázaro son un magnífico pretexto para plasmar una ácida crítica a la sociedad de la época. Asimismo, el tratamiento de la anécdota, el lenguaje sobrio y eficaz, y una nueva concepción en el uso de los personajes propiciaron una renovación en la literatura del momento.

Eva never really wanted to be a mother - and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his 16th birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin.

In these entries, titled The Coronavirus Princess Diaries, the princess recorded her most heartfelt emotions while dealing with her husband’s quarantine after exposure to the virus; her personal (and political) battles while imposing health restrictions on her small European nation; life during lockdown (even in as idyllic a location as a palace on the Riviera); and of course, dealing with her demanding royal family, especially her grandmother.

A literary tour de force of power, guilt and obsession - two people stalk each other through the shadowy, tangled web of the past - man and woman caught in a dangerous game of confession, each partly predator and partly prey.... Nearly 20 years after Vita broke off contact with Royce, he writes to her, determined to excavate the past. He is older than her, a ghost from her university days, a former benefactor she has tried hard to forget.

En esta novela Cela nos sumerge en las cartas imaginarias que Mrs. Caldwell le escribe a su hijo Eliacim, muerto en su juventud. Es un monólogo que vuela sin continuidad narrativa, una conversación con el fantasma de una pérdida, que nos asoma a la mente anciana de una mujer fascinante.

Adrian Mole is 34 and three quarters, almost officially middle-aged, when Mr. Blair tells Parliament that Weapons of Mass Destruction can be deployed in 45 minutes and can reach Cyprus. Adrian is worried that he might not get a refund on his holiday. But that's not all that is bothering him. There's his odd girlfriend Marigold who has become distressingly New Age. And his son Glenn who is in Deepcut Barracks. Would Mr. Blair have been quite so keen if it had been his son manning a roadblock?

Adrian Mole is 39 and a quarter. Due to his financial situation he has been forced to move next door to his parents. And his numerous nightly visits to the lavatory lead him to suspect prostate trouble. As his worries multiply, a phone call to his old flame ignites powerful memories and makes him wonder - is she the only one who can save him now?

Finally given the heave-ho by Pandora, Adrian Mole finds himself in the situation of living with the love-of-his-life as she goes about shacking up with other men. Worse, as he slides down the employment ladder, from deskbound civil servant in Oxford to part-time washer-upper in Soho, he finds that critical reception for his epic novel, Lo! The Flat Hills of My Homeland, is not quite as he might have hoped.

Adrian Mole has entered early middle age and is now 'the same age as Jesus was when he died' (33). Father to the grammatically challenged Glenn, and William, who takes a 'Big Boy Arouser' condom to nursery school as his innocent contribution to a hot air balloon project.

Growing up in the island village of Seaview, Willow always dreamed of a bigger life. Then her childhood sweetheart, Luc, betrayed her and she ran, resolving never to look back. Now, 12 years on, her glamorous London life is a mess and the island is her only option. But she's not the only one back for the summer. Luc is now a world-famous heartthrob musician, and he's finally come home to headline the Isle of Wight's annual music festival.

Moving away from their lovely apartment in Munich isn't nearly as wrenching an experience for Frau Greta Hahn as she had feared. Their new home is even lovelier than the one they left behind and life in Buchenwald would appear to be idyllic. Lying just beyond the forest that surrounds them is the looming presence of a work camp. Frau Hahn's husband has been assigned as the camp's administrator. When Frau Hahn's poor health leads her into an unlikely and poignant friendship with one of Buchenwald's prisoners, her naIve ignorance about what is going on so nearby is challenged.

Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.

The award-winning stories in Dima Alzayat's collection, Alligator and Other Stories, are luminous and tender, whether dealing with a woman preforming burial rites for her brother in "Ghusl", or the great-aunt struggling to explain cultural identity to her niece in "Once We Were Syrians". Alzayat's stories are rich and relatable, chronicling a sense of displacement through everyday scenarios. There is the intern in pre-#MeToo Hollywood of "Only Those Who Struggle Succeed", or the "dangerous" women of "The Daughters of Manāt" who struggle to assert their independence.

“Begins here first account of operative me, agent number 67 on arrival Midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc.” Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism.

It’s 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure. Increasingly distant from what used to be at arm’s reach—writerly ambitions, tight knit friendships, a place to call home—Leyla attempts to find solace in the techno beats of Berlin’s nightlife, with little success.